ideadeproyecto  ::  servicios  ::  i+d+i  ::  proyectos  ::  mediateca  ::  blog  ::  
Clientes :: ::
  • Abacus
  • ACIM
  • AECI
  • AEEISC
  • Agencia Catalana de Cooperació Internacional
  • Ajuntament d’Orebro
  • Ajuntament de Badalona
  • Ajuntament de Barcelona
  • Ajuntament de Biella
  • Ajuntament de Bolonya
  • Ajuntament de Capellades
  • Ajuntament de Cerdanyola
  • Ajuntament de Cornellà
  • Ajuntament de Granollers
  • Ajuntament de L’Hospitalet de Llobregat
  • Ajuntament de Mataró
  • Ajuntament de Mollet
  • Ajuntament de Montcada i Reixac
  • Ajuntament de París
  • Ajuntament de Roma
We Can Xalant
Gustavo Dieguez and Lucas Gilardi form A77, an experimental study that projects objects and houses based on industrial waste.

A77 team works with the Catalan architect Pau Faus and Can Xalant to intervene in the territory.

In 2006 Can Xalant summoned the Japanese artist Kawamata Tadeshi to place in its garden one of its famous constructions known as Xiringuito Mataro. In no time the construction took a strong character of identity towards the site and became an icon of the institution. After the terrible fire at the iconic building in mid-2008, Can Xalant summoned A77 to build a new structure to recover the role of the space, usually assigned to a large number of activities.

The commission to A77 includes the construction of additional mobile units that can leave the institution itself to act in public spaces taking Can Xalant artistic projects and its socio-cultural initiatives to the population. The outgoing of Can Xalant to the public space will formulate a new addition to the Open Doors concept.

From the R + D + i Area, Traffic Projectes raised the possibility of extending the experience by incorporating the project to the Activa Disonancias program in Catalonia in its first edition in 2009, inviting to participate the architect Pau Faus after a selection process opened through an international call. It was about taking the opportunity to explore new strategies of analysis and intervene in the territory, of collaborative dynamics, of new thoughts about mobile and flexible architectural structures for cultural uses, of incorporating new approaches to the usual dynamics, and about identification and evaluation of efforts and ways to proceed of nearby actors when creating a social network that defines the programs of action and sets up them.